Saturday, July 30, 2005
Thursday, July 28, 2005
ECHOES
Directed by: Patrick Lim
Screenplay by: Jennifer Liew
Genre: Psychological supernatural drama
Starring: Deanna Yusoff
Synopsis
ECHOES is about memories and their illusions, reflections, its resonance, rupture of time and the question of truth.
Excepts from the script
...THERE WAS NO EXISTENCE OF...
Fast cut of another similar looking corridor, yet somehow different.
...TIME...
A CREEPY looking SEMI-OPENED HALLWAY, the night wind is whistling.
VERY SLOW FADE OUT
FADE IN
1. INT. - STAIRCASE - LATE NIGHT
One of the lights at the corridor flickers. The upwards-staircase remains empty. A faint smoke emits from the astray standing at one corner of the staircase. The leaves from the plants in the pots swaying a little due to the night breeze. We turn a corner into the door to the office.
CUT TO:
2. INT. - OFFICE - LATE NIGHT
The office is almost dead quiet. The only faint sound that can be heard is a slow humming of air conditioning from afar. The paintings from the walls are faces of human starring right back at you, with almost fiery eyes that one can hardly decipher at this time of the day. All lights are out except for one wing at the far end. We pass rows of cubicles at both sides but they all look almost identical under such darkness. As we move closer towards the light, we see JULIA working at her desk.
Sunday, July 24, 2005
CHOICE - Part 2
Part 2
We have seen how CHOICE was conceived, let's look at the style of the film
The Director's note, by Patrick Lim:
Style
Firstly, I wanted to have a documentary-like style to it. Since I am approaching it from an outline only, the dialogues between the characters were going to be improvised all the way and the style would compliment the spontaneity. To accomplish that, I decided that the best choice of style was to refer to the "dogma". I followed a few key points but not all of the ten rules under the "DOGMA" 95 and they are hand held, real locations, and existing lights from the locations.
It was essential that the cameras be liberated from the confines of pan and tilt on a tripod. They needed to be able to move freely and follow the conversation. The other source that I referred to unconsciously was John Cassavetes' approach and recently I read up on him again and his style struck a chord in the realization of CHOICE.
I wanted the cameramen to feel whatever the characters were feeling and project their feelings into handling the cameras and hopefully, conceptually it can transcend whatever emotions across to the audience. It only worked in a few spots. Only one of them understood what I wanted to achieve with that approach. The handheld approach also gives a psychological mirror to all the characters, the instability of their minds about identity and gender.
The jump cut editing style that I employed in CHOICE reflects the dysfunctional of the characters. I refuse the fades and dissolves as not to paint pretty pictures in the subject matters that were brought out.
Save Z Chen
I have recently discovered a great local singing talent. Though it is a little late, but I think good things should be shared with others. The album is a compilation of his bests Mandarin songs, called Save Z Chen. My favourite numbers include Blessed Me, 3am, Sleepless Town. If you are those who work late at night and need something to sooth your ears or some inspirations for your work, this album is a good one to soak into...
Saturday, July 23, 2005
CHOICE
English has been given an importance as we head into the globalized arena but are we ready to be part of the larger picture. Malaysia is in fact in a limbo state. So, where does that leave our youth?
The Beginning
That was the anchor to CHOICE but I needed to flesh out other social issues within CHOICE. Originally set to be a trilogy where I start with the middle (being CHOICE), LIFE and DEATH would compliment the social issues that we deal with.
The idea of a girl torn between her wild free lifestyle and her upcoming marriage to a Malay man came to mind and I had the premise of a party among three friends as the basis. A party, with the right atmosphere and substance is a ripe place for a lot of things to happen. Immediately, I wrote an outline of CHOICE down and that was in early March 2003.
For CHOICE to work, I needed to get actors who have been friends for sometime. There are many times in our own lives when reality becomes difficult to be differentiated from illusion, which is why the emotional content in CHOICE had to be truthful to its source.
240
A moment of breathing in and out, life stays and moments can be gone forever.
I have this overwhelming pain and sadness, too intense to even pen them down with words. Lost them almost instantly when I lost my embrace to pain and emotional sufferings long time ago, like the footprints on sandy beaches, washed away by the tides of time, the moment when I seized to feel, I seized to listen to my heart. Ryan, every single ounce of his flesh and blood is imprinted in my thoughts and head. The very single thought of losing him now, or any moments than now, is ruthless and inexplicable. It is an attachment of the human emotions that make us weak, yet make us so humane at the same time. Take away all these feelings, you strip away the essence of being any woman or even man, to feel pain and to accept sadness in yourself. To reach enlightenment is to simply detach your self. It is a long and lonely journey. Will there be an ultimate destination? No one really knows. But to experience and just be in the moment, you can probably even try, as homo sapiens of the world, in this lifetime. 24 hours in a day, 24 frames per second, all it takes is just 2:40. It is all about visual narration, to experiment and begin with...
A short titled 240
7:15am
A kiss on the cheek, she squeezes her eyes a little and sees her hubby walks out of the room.
7:28 am
An eye opens to greet the morning rays that manage to creep into the tiny room between the swaying light blue curtains, but instantly closes back as an instinct tells this young woman that her little one-and-a half-year-old son is about to wake up any moment. A little tossing and turning is felt between the bed sheets but she still ignores it.
7:29 am
A nudge comes on her forehead and she instantly knows that it is her morning call. She finally struggles to open her eyes and a cute looking boy greets her with a pacifier in his month, rubbing his eyes slightly and points at the door.
7:48 am
He is holding his own milk bottle, sucking away, head resting on a pillow on the marble floor while watching Japanese animation shown on TV. The mother is beside him, watching over him. Once in a while, he will get excited and points at the TV screen.
8:56 am
The mother is hanging clothes outside, very hurriedly while looking over her head to check on the son. Suddenly, she rushes in, thinking that the son maybe climbing the stairs when he suddenly appears out of the corner, standing right in front of the door, holding up a cloth hanger, passing it to the mother with a cheeky look on the face.
9:45 am
The mother pops out a pill from the bottle into his tiny hands and he gingerly places the pink oval pill into his mother's mouth by saying "ahh". She swallows it down with a gush of fresh milk that leaves a smiley moustache. He points and grins at the mother, but seems happy with his little accomplishment.
10:41 am
He is sleeping away peacefully...so does the mother, right beside him. The air is filled with soft yet depressing tunes from 'Secret Garden'.
1:26 pm
"Please, don't come here! It is smelly..."Ryan is just standing by the doorstep of the toilet, looking curious and runs off with his finger puppet in his hands, murmuring words that do not make up a proper sentence.
2:38 pm
Ryan is bathing, having fun in the bathtub, splashing water and smiling at the mother.
6:29 pm
The mother lying on the bed, in the same tiny room, Ryan, at a far distance, seems to be asleep. The mother turns around. After the longest moment, tears start to swell in her eyes. Cries eventually turn into sulking. She cannot seem to stop, she cries uncontrollably.
We could still hear her crying but slowly fades away. Instead, we hear the laughter of the son. But she is still crying, the laughter of the son continues. She finally closes her eyes.
FADE TO BLACK
SWIFT FADE IN
An eye opens and panting is heard. She springs up from the bed and looks at the curtain. It is swaying a little. She then turns back to look at her son, sleeping curled up beside her. Breath in, breath out.
FADE TO BLACK AGAIN
- THE END -
I choose to feel the pain in order to move me closer to be a stronger person. Dedicated especially to those who feel pain, in the distant, yet vivid memories of their loved one(s).
Now I can go to sleep, knowing that I have survived this second sudden attack of overwhelming sadness in me, in those strange nights. 4:55am, 6 June 2002, Thursday morning.
Sunday, July 17, 2005
Titiwangsa - a walk through the park
Saturday, July 09, 2005
In Memories of Those We Love
What made me write that? Well, those were the days when I felt as though the whole world seems to crush upon me, I felt that enormous burden in my heart. Those feelings were indescribable, and could only be a part of me, in the past, which makes me who I am now. I have always believed that great work comes from tremendous hardships, under extreme sufferings, in any art form. In complacency in life, one could only live life on the very surface of things, unless you take time often enough to look within yourself, to reflect and to respond to something deeper within.
Memories are always haunting yet captivating in certain ways. You fear to travel back in time, to feel those pain once again, like a fresh wound on your skin, burning but somehow, your hands cannot resist peeling the warp that has been there, staring right back at you. I had news from a dear friend recently, who has just lost his beloved one. I had very few of those experiences in my life so far, the only one that I could remember was the death of my grandmother, so many years ago. The day of the funeral was like any other day for me, for there was a degree of detachment from her since I left hometown for further studies. The praying rituals of the monks seem like music to my ears, they were the least, sad or made me want to cry. But not when the men started to cover the coffin of my grandmother, and the pounding sound of the hammer on the nails to seal the coffin that it started to dawn on the naive and young me back then, that my grandmother was indeed, already dead and left us...forever and this is the end of everything...for her and for me, with her. The line just stops there, like what my friend sharply but accurately puts it, with him and his beloved brother. When I read those lines, my tears started streaming, like how it did, with my grandmother laying in the coffin, with the deafening sound of the slow pounding.
I write this now, especially to you, my dear old friend, to tell you that how much I care, even though I hardly knew your brother, but the pain is all the same. I hope you find the strength within you, to stand tall again and live life to the fullest, in memory of those, we have lost along our way. This is dedicated to you, and the rest of us all:
The Last Corner
When the world is round
then
any part of the circle is a corner
if you keep running
you will not find an end
so the solution is to stop
When will you and where will you
make and find your last corner?
Though the ideal environment is always looked for
Is there indeed, an ideal environment?
has not the Blessed One
taught that all things near and dear to us
must past away?
Though there will always be
better ones and worse ones
time is running out on us
this fact remains clear -
we have got to start somewhere
or rather
where we are
(taken from a Dhamma book)